The Guy I Almost Was

by Patrick Sean Farley


001 page 001: title art — a bespectacled young man in a fur-collared parka, above a drawing of an old manual typewriter. Text: “THE GUY I ALMOST WAS” / “Patrick S. Farley”

002

Chapter 1:

If This Van's a-Rockin'
Don't Bother Knockin'

Friday Night, October 1978

page 002: a dark-haired boy in glasses works at a desk while a blond boy behind him holds a magazine. Text: “TICK TOCK DOOT DOOT DO… TIME KEEPS ON SLIPPIN’” (radio); blond boy: “HEY PETER…. IT’S ALMOST TIME FOR ‘THE INCREDIBLE HULK.’”; Peter: “YEAH, I KNOW. I’M ALMOST DONE HERE.”; the magazine cover reads “21ST CENTURY”

003 page 003: Peter draws at a desk under a gooseneck lamp while the blond boy reads on a bed behind him. Peter: “I’M DESIGNING MY CUSTOM SUPER-VAN FOR THE YEAR 1990!”; blond boy: “TRICK! WHAT’RE YOU GONNA NAME IT?”; Peter: “I DUNNO. SOMETHING COOL, LIKE ‘SPACEHAWK’.”

004 page 004: a hand points at a hand-drawn cutaway blueprint of the van, beside a box of Pop Rocks and a soda can. Peter: “CHECK IT OUT MAN… FULL PLUSH CHAMBER… WATERBED… ATARI CONSOLE…”; friend: “YOU’RE GONNA HAVE AN 8-TRACK, RIGHT?”; Peter: “FOR SURE! YOU KNOW WHAT MY BROTHER SAYS ABOUT 8-TRACK… IT DOESN’T NEED FLIPPING… YOU CAN BOFF TO THE TUNES ALL NIGHT LONG!” Blueprint labels include “BUBBLE TOP,” “BLACKLIGHT,” and “CB RADIO”

005 page 005: close-up of the two boys’ faces, grinning. Balloons: “CAN YOU DIG IT, TOMMY? IN THE YEAR 1990, WE’RE GONNA BE 21 YEARS OLD!” and “CAN YOU IMAGINE HOW COOL THE WORLD OF THE FUTURE’S GONNA BE?”

006 page 006: a sprawling blue futuristic city of curved towers and looping ramps. Caption boxes: “THE FUTURE, TOMMY…” and “THE FUTURE!!!”

This much I knew:
In the future, all cities would look like the one that appeared behind Kaptain Kool & the Kongs on Saturday morning's Krofft Supershow. Bloated, curvaceous structures — engineered by the same people who designed Corvette Stingrays and Yes album covers — built out of shiny fiberglass, pristine chrome, and pulsating neon light -- Tomorrow's city would be a Space Age coral reef, teeming with millions of funky life forms, its limitless nooks and enclaves seething with parties, discos, arcades, and mind-blowing good times....


007 page 007: a gleaming custom van streaks down a highway with a young man at the wheel. Lettering on the van reads “STARHAWK” on the side and windshield, and the license plate reads “TRICK.” Balloon: “YEAAAAH… WE LIVE IN A WORLD FULL OF DREAMS….”

My van would be more than just a mode of transportation... It would be my spaceship for navigating the Strip.
The Strip would eventually encompass the world. Domed cities would interconnect across continents , and hamster-tube highways would extend down into the ocean so that you could cruise the aquatic sea-cities.
Your van could literally take you anywhere on Planet Earth. Maybe not as fast as a Concorde jet, but speed wasn't important. Getting there was all the fun.


008 page 008: a grinning young man in sunglasses grips the van’s steering wheel as the scenery blurs past. No text in the image

What I would be doing for a living? I didn't care. According OMNI magazine, the technological changes of the Eighties were going to be so vast, so profound, that the job market would be unrecognizable by the time I entered the workforce.

Nearly any job I trained for now would be obsolete by 1990. Computers and solar-powered robot factories would be doing most of the work. Consumer goods would be mostly free, and the U.N. would be paying us all not to work.


009 page 009: a crowded party inside a geodesic dome — dancers, nude figures, cocktails, and jetpack riders under starburst decorations. The only lettering is a partly hidden “RADIO” on a console in the crowd

The important things in human life — sex, technology, hedonism, and the peaceful exploration of inner and outer space — these would occupy most of our time as a new Golden Age dawned for humanity. No matter where you went, you would find millions of groovy freaks boogying down, partying hearty, and tossing off symphonies, rocketship designs, and cures for cancer as freely as a tree drops fruit. Human civilization would have truly begun....


010 page 010: inside the shag-carpeted van, a couple embraces on the waterbed under the star-filled windshield. No text in the image

And of course, I would be getting righteously laid every night of my life....


011 page 011: close-up of Peter’s grinning face behind big glasses. Balloon: “HEE HEE HEEEEE….. I CAN’T WAIT TO GROW UP!”

012

July 4, 1994
Santa Luna, California

page 012: a lone speech balloon on a black background: “HEY PETER….. PETER!!! OPEN THE DOOR!”

013 page 013: a pile of overdue bills and envelopes on the floor. Balloon: “HEY PETER…. OPEN UP!”; sound effect: “KNOCK KNOCK KNOCK KNOCK…”; the envelopes read “TO: PETER O’FLAHERTY,” “THIS IS AN ATTEMPT TO COLLECT A DEBT,” “FINAL NOTICE,” “URGENT,” and “PERSONAL & CONFIDENTIAL”

014 page 014: a dirty discarded sock on the floor. Balloon: “WE NEED THE RENT NOW!!!!”; sound effect: “KNOCK KNOCK KNOCK KNOCK…”

015 page 015: a torn-open box of saltines with crumbs spilling out. Balloon: “DON’T TRY TO PRETEND YOU’RE NOT HOME….”; the box reads “SALTINES”; sound effect: “KNOCK KNOCK KNOCK KNOCK…”

016 page 016: a framed diploma hanging on the wall. Balloon: “I HEARD YOU RUSTLING AROUND IN THERE EARLIER….”; the diploma reads “UNIVERSITY OF CALIFORNIA — Bachelor of Arts — PETER O’FLAHERTY”; sound effect: “KNOCK KNOCK KNOCK KNOCK”

017 page 017: overhead view of a bare room with Peter lying motionless on a mattress amid scattered junk. Balloon: “OPEN THE FUCKING DOOR!!!”; sound effect: “BAM BAM BAM BAM…”

Sure, I could've opened the door, but what good would that have done?

What could I tell them, except that I didn't have the rent?

And what could they say to me, except to remind me of what a loser I am?

I already know I'm a loser. The fact is well established and needs no further elaboration.


018 page 018: outside the door, a young man sits on the floor reading a magazine. Balloon: “ARE YOU SURE HE’S IN THERE?”; reply: “YEAH, HE’S IN THERE ALL RIGHT. THE LITTLE FUCK.”; the magazine is titled “Alien Snowboarder”

019 page 019: the young man outside the door looks up from his “Alien Snowboarder” magazine, annoyed. Balloon: “I’VE HAD ENOUGH OF THIS SHIT… GET ME A COATHANGER….. I’M GONNA JIMMY THE GODDAM DOOR OPEN.”

020 page 020: Peter crouches and eases the window open to escape. Balloon from outside the door: “HEY PETER… YOU BETTER HAVE $400 CASH BY THE TIME I GET IN THERE…. OR THERE’S GONNA BE SOME SERIOUS ASS-KICKING….”; sound effect: “klick klick klick”

021 page 021: Peter hauls himself up and out through the window. Balloons from the door: “ALMOST GOT IT….. ALMOST… ALMOST….” and “YES!!!”; sound effect: “klick klick klick KLICK!!”

022 page 022: the empty room with the window open, seen from outside. Balloons: “WHAT THE FUCK?”; “ARE YOU SURE HE WAS IN HERE?”; “I COULD’VE SWORN I HEARD HIM.”; “MAYBE HE JUMPED OUT THE WINDOW?”; “NAAAH. NOT EVEN PETER’S STUPID ENOUGH TO TRY SOMETHING LIKE THAT.”; sound effects: “crash crunch thud” and “SHIT!”

023 page 023: Peter runs down a suburban street in shorts and sneakers, seen from behind. No text in the image

Someday I'm going to break my leg doing that... Which would be bad, since I have no health insurance...

I do, however, have a job. It just doesn't pay enough.

I'm not going anywhere in particular. I just have to lose myself in the suburbs for a few hours. I'll creep back later in the day. Hopefully my housemates will be gone and I can sneak back into my room.


024 page 024: Peter stands with his back to us, hands in pockets, looking at an A-frame house. No text in the image

Then again, maybe today will be the day I come back and find all my belongings set out by the dumpster.

That day will come. It's inevitable. My housemates' patience has surely reached its limit.


025 page 025: a furious housemate screams and jabs a finger at Peter while brandishing a sheet of paper; Peter shrugs helplessly. The paper is headed “BILL” with itemized charges and a “TOTAL” line (amounts too small to read)

When school ended last month, I had to live somewhere. Of course, with a terrible credit rating like mine, (that trail of busted credit cards littering my passage through an "academic career") and no money for a deposit, it wouldn't be easy to find a place.

My current housemates, fortunately, didn't check my credit or ask for anything upfront... they naively assumed that since I was in college, I must be a solvent young bourgeois like themselves.

I did nothing to disabuse them of this illusion.


026 page 026: Peter walks along the street past a row of suburban houses. No text in the image

I'm neither ashamed nor proud of myself.

Like a rodent, I've simply done what I've needed to do to stay alive, moment to moment.

I feel miscast in this role, but here I am.


027 page 027: Peter trudges along a suburban street, head down and shoulders slumped, birds overhead. No text in the image

The locale I'm trapped in is Santa Luna, California, a sleepy seaside college town situated 50 miles west of Silicon Valley. If exciting things are happening in Silicon Valley, you surely won't hear about them here. Santa Luna is its own self-contained bubble reality, a sort of hippy-dippy alternate universe that might have branched off from ours if McGovern had won the 1972 presidential election.

Tourists call this town "charming." For me, being stuck here after I've graduated feels a lot like bathing in my own urine.


028 page 028: Peter sits alone on a wooden fence at the edge of a yard, staring at the ground. No text in the image

Lately I've been coming here a lot, to the edge of the suburbs.


029 page 029: Peter looks down from a rise at a homeless encampment of tents and tarps below. No text in the image

Out on the edge of town, where the freeway meets the warehouse district, Santa Luna's homeless people live.


030 page 030: the encampment up close — tents, campfires, and people hauling bundles. A road sign reads “Santa Luna CITY & COUNTY”

Excluded from the industrial lifestyle of modern humanity — and yet denied even the simple dignity of animals — theirs, I was certain, must be the worst of all possible worlds.


031 page 031: Peter turns his head, wary. Balloons from off-panel: “HEY!!! HEY GUY!” and “HEEEEY!!!! I’M TALKIN’ TO YOU!!!”

032 page 032: a bearded, wild-haired homeless man points at Peter, who sits on the fence. Man: “HEY KID…. WHAT ARE YOU DOING — SPYING ON US?”; Peter: “JUST HANGING OUT. I MIGHT BE JOINING YOU IN A FEW WEEKS.”

033 page 033: close-up of the bearded man scowling. Man: “BULLSHIT! YOU CAN’T BE HOMELESS. YOU’RE TOO CLEAN.”; Peter: “THAT DOESN’T MEAN ANYTHING.”

034 page 034: the man jabs a finger at Peter as they argue. Man: “SO WHY DON’T YOU HELP ME OUT WITH A LITTLE SPARE CHANGE, HUH?”; Peter: “I’M BROKE.”; Man: “BULLSHIT! YOU’RE TOO CLEAN TO BE BROKE!”; Peter: “ARGH….”

035 page 035: Peter holds open his empty wallet. Balloon: “TAKE A GOOD LOOK.”

036 page 036: the bearded man peers into the wallet and pulls out a shiny card. Balloon: “WHAT THE FUCK IS THAT THING?”; the card reads “CYBER EXPO ’93”

037 page 037: Peter points at the card in his wallet, half-smiling. Balloon: “OH… THIS WAS MY TICKET TO CYBER EXPO ’93”

038 page 038: close-up of the two men’s hands holding the glittering card, which reads “Cyber EXPO ’93.” Peter: “CHECK IT OUT… IT’S HOLOGRAPHIC.”; the man: “WHOOOOAA… THAT’S SOME TRIPPED OUT SHIT.”

039 page 039: the bearded man looks down, puzzled. Man: “WHAT THE FUCK IS A ‘CYBER EXPO’?”; Peter: “YOU KNOW WHAT THE INTERNET IS?”; Man: “NO.”

040 page 040: Peter sits on the fence holding the card while the man walks away toward the encampment. Peter: “YOU WANT ME TO EXPLAIN IT TO YOU?”; Man: “NAH…. I GOT SHIT TO DO.”

041 page 041: a hand holds up the sparkling holographic pass, lettered “Cyber EXPO 93”

042

Chapter 2:

An Atomic Car
in Every Garage

page 042: a writer in round glasses sits smoking at a manual typewriter. Song lyrics drift overhead: “ARE YOU REELIN IN THE YEEEEEARS? ARE YOU PUTTIN’ AWAY THE TIIIIIIME?”; balloons: “HMMMM….. ‘KNIFE FIGHTS UNDER THE DAWN GEODESICS…’” and “THAT MIGHT JUST WORK….”; sound effect: “TAP TAP TAP TAP TAP…”

For those of you who either weren't alive, or weren't paying attention at the time:

Back in 1983 an old acidhead named William Gibson sat down at his Hermes 3000 manual typewriter and banged out what was to become the most popular science fiction novel of that decade...

Concerning people plugging their brains directly into their computers, Gibson's novel was originally titled Jacked In.

The publishers feared this sounded too much like "jacked off", and changed the title to a more marketable Neuromancer.


043 page 043: a paperback lying against a grid backdrop with the word “cyberspace” repeating across it. The cover reads “NEUROMANCER — WILLIAM GIBSON — THE BOOK OF THE YEAR! WINNER OF THE HUGO, NEBULA AND PHILIP K. DICK AWARDS!”

This little book of his was to cause quite a stir...

Neuromancer had a tremendous cultural impact, not the least of which was the introduction of a new word into the English language — cyberspace.

In subsequent years, the prefix "cyber-" sort of broke off and did its own thing...


044 page 044: Peter, backpack on, wades into a crowded convention hall of costumed attendees. A banner overhead reads “Cyber Expo ’93”

Which brings us to the year 1993 and the first annual “Cyber Expo.”

For the past few years I had been reading about a newly emerging “cyberculture” in exciting new magazines with names like Phringe Surfer, FutureShock, Cyborgasm, Digital Frontier, and Fast Forward.

In May of 1993 I scraped together my month's grocery money and made the Greyhound bus trip to San Francisco. I was finally going to meet the movers and shakers of this cyberculture face to face! Smart drug entrepreneurs, multimedia artists, hackers, inventors of mindblowing new technologies, all would be congregating here in this one space.


045 page 045: close-up of Peter grinning with delight amid the domed hall of partygoers. No text in the image

It was already 1993, and the future I'd imagined in 1978 was running a little behind schedule.

Was it possible that here and now, the future was off to a proper start?

Would I finally find the community I'd always hoped for?

Would I, at last, discover “my” people?


046 page 046: a hatted speaker stands behind a laptop, arms spread, addressing the crowd. Balloon: “THE FREAKS WILL PROSPER IN THE CYBER AGE. NERDS, HIPSTERS, INTELLECTUALS AND THE ‘TURNED-ON’ WILL GAIN SUPREME POWER OVER THE JOCKS, SQUARES, BIGOTS AND FASCISTS WHO USED TO DICK US OVER. THIS ISN’T VENGEANCE, FOLKS… JUST A NICE POETIC IRONY.”; shouts from the crowd: “WOOOOO!”, “YEAH!!!”, “RIGHT ON, MUTHERFUCKER.”

047 page 047: Peter lunges through the crowd waving a sheet of paper at a severe old man in round goggles. Balloon: “MR. WEST! MR. WEST! CAN I TALK TO YOU FOR A MINUTE?”

The presentation was called “Cyber Revolution: Power to the People” and it was attended by some of the hippest of the California "Digerati".

I took the opportunity to buttonhole an editor I'd been petitioning for several months. His name was Sparky West and he was editor-in-chief of Fast Forward, one of the seminal cyberculture magazines.

Their motto: "Made for the Smartest People on Earth."

(Yes, I know. That should have been my first warning.)


048 page 048: Mr. West keeps walking as Peter trails behind him. West: “DO I KNOW YOU?”; Peter: “YEAH…. PETER O’FLAHERTY.. I’VE BEEN FAXING YOU PROPOSALS FOR ARTICLES THESE LAST 6 MONTHS… REMEMBER?”; West: “NO.”

049 page 049: West looms in the foreground while Peter pitches himself. West: “I’M IN A HURRY.”; Peter: “I KNOW, SO I’LL CUT TO THE CHASE…. I REALLY WANT TO WORK FOR YOUR MAGAZINE, MR. WEST! I DON’T CARE IN WHAT POSITION OR FOR HOW MUCH PAY…… IN FACT, I DON’T EVEN CARE IF I GET PAID! I’LL WORK AS AN INTERN… I JUST WANT TO BE A PART OF IT ALL……”; a booth display behind them reads “Middle-Class Mutant’s Handbook”

050 page 050: the two talk as they cross the expo floor. West: “WHAT ARE YOU TRACKING RIGHT NOW?”; Peter: “HUH???”; West: “I MEAN, WHAT’S YOUR STORY? WHAT DO YOU DO FOR A LIVING?”; Peter: “I’M SORT OF IN SCHOOL AT THE MOMENT.”; West: “SORT OF?”; a booth banner behind them reads “PSY… & PSONIK”

051 page 051: Peter’s floating head talks beside an inset panel of him in a cap and apron reading on a crate in a restaurant back room. Balloon: “I’VE BEEN WORKING MY WAY THROUGH SCHOOL FOR THE LAST 7 YEARS. I’VE HAD TO TAKE OFF ALTERNATE YEARS TO WORK FULL TIME AND SAVE MONEY FOR THE FOLLOWING YEAR’S TUITION….”; his book is labeled “Some FRENCH Shit”

052 page 052: West, seen from behind, questions Peter. West: “SO WHAT’S YOUR MAJOR?”; Peter: “POSTMODERN FILM/VIDEO THEORY & CRIT, WITH AN EMPHASIS IN PHENOMENOLOGY! * IT’S THE CLOSEST THING MY LAME OLD COLLEGE HAS TO A MULTIMEDIA STUDIES MAJOR!”; West: “SO, YOU’RE INTERESTED IN THE NEW EDGE, ARE YOU?”; Peter: “YOU KNOW IT, MAN!!!”

* Complete bullshit, of course.


053 page 053: Peter’s floating head beside an inset of him facing a mob of ghostly robed scholars labeled “The Classics.” Balloon: “I MAJORED IN EUROPEAN LIT FOR A WHILE, BUT THAT SHIT WAS SO BORING, YOU KNOW? I HAVE NO INTEREST IN THE PAST. IT’S NOTHING BUT IGNORANT IDIOTS BABBLING METAPHYSICAL GIBBERISH….”; the scholars say “MORALITY IS FULFULLED THROUGH OBEDIENCE TO THE KING AND REGULAR WIFE-BEATING,” “WHEAT SEEDS LEFT IN MY UNDERWEAR WILL SPONTANEOUSLY TRANSFORM INTO BABY MICE….,” and “blah blah blah RED HUMORS blah VITRIOL blah TRANSUBSTANTIATION OF LEAD INTO GOLD blah blah blah”

054 page 054: Peter’s floating head beside an inset of bearded men in hats talking over him at the expo. Balloon: “IT’S THE FUTURE THAT I WANT TO BE DOWN WITH! I WANT TO BE SURFING THE CYBER-REVOLUTION! I WANT TO BE HACKING THE DIGITAL FRONTIER! WANT TO BE DANCING ON THE NEW EDGE!”; the men say “blah blah MEMES blah blah blah blah blah PARADIGM SHIFT blah blah blah……” and “YES, BUT yakety yak yak yak SINGULARITY yak IMMERSIVE yak yak yak yak MCCLUHANESQUE CYBER-ANARCHY!”

055 page 055: Peter throws his arms wide, pitching West in front of the expo booths. Peter: “I MEAN, WHAT A TIME TO BE ALIVE! HERE WE ARE, IN NORTHERN CALIFORNIA IN THE EARLY NINETIES! WE’RE SURROUNDED BY THE SMARTEST, MOST TURNED-ON PEOPLE ON EARTH… THIS IS A FERTILE, POWERFUL, REVOLUTIONARY TIME AND PLACE WE’RE LIVING IN, MR. WEST!”; “I WANT TO FIND OUT WHAT THEY’RE ALL DOING OUT THERE, AND REPORT ON IT! NO, NOT JUST REPORT… I WANT TO PARTICIPATE!!!”; “WE’RE AT THE BEGINNING OF A CULTURAL EXPLOSION THAT’S GONNA MAKE THE SIXTIES LOOK LIKE A FART IN A HURRICANE.”; West: “YOU’VE GOT THAT RIGHT, BUDDY!”; booth signs read “CYBERPUNK T-SHIRTS,” “SMART DRINKS,” and “techno-shamanic screensaver”

056 page 056: Peter walks alongside West through the crowd. Peter: “I’VE BEEN PREPARING FOR THIS MY ENTIRE LIFE! THE NEW EDGE IS WHERE I BELONG, AND I WANT TO CONTRIBUTE MY TALENTS!”; West: “AND WHAT ARE YOUR TALENTS?”

057 page 057: the two men in silhouette, facing each other. Peter: “I’M A HARD WORKER.”; West: “WELL, HERE’S MY ELEVATOR.”

058 page 058: West presses the elevator call button. Balloon: “ALL RIGHT THEN, PETER. MAYBE WE CAN TALK SOME MORE….”

059 page 059: Peter beams, reaching for his bag. Balloons: “I’LL WRITE DOWN MY PHONE NUMBER FOR YOU.” and “LET ME GET A PEN OUT OF MY SACK…”

060 page 060: West produces a handheld electronic organizer instead. West: “A PEN??? THAT WON’T BE NECESSARY.” and “THESE ARE THE NINETIES, AFTER ALL.”; sound effect: “bleeeeep!”

061 page 061: two panels — Peter astonished, then West unimpressed. Peter: “WOW! IS THAT REALLY A NEWTON?”; West: “YOU MEAN TO TELL ME IT’S APRIL OF 1993 AND YOU STILL HAVEN’T SEEN A NEWTON YET?”

062 page 062: West poises the stylus over his Newton while Peter hesitates. West: “NEVER MIND. WHAT’S YOUR E-MAIL ADDRESS?”; Peter: “UH…”

063 page 063: Peter sweats, cornered by the question. Balloon: “WELL UH… ACTUALLY… I SORT OF.. UM…”; then “DON’T HAVE ONE.”; the background repeats “TICK TOCK TICK TOCK”

064 page 064: West stops writing and stares. Balloons: “WAIT A MINUTE… YOU MEAN TO TELL ME, YOU WANT A JOB WORKING FOR THE WORLD’S CUTTING-EDGE CYBER-ZINE…” and “AND YOU DON’T EVEN HAVE AN E-MAIL ACCOUNT? HOW MUCH SENSE DOES THAT MAKE?”; sound effect: “pling”

065 page 065: Peter answers flatly. Balloons: “SIMPLE.”, “I DON’T OWN A COMPUTER…”, “I CAN’T AFFORD ONE.”

066 page 066: West waves the objection away. Balloons: “THAT’S RIDICULOUS.” and “COMPUTERS ARE CHEAP. ANYBODY WHO REALLY WANTS ONE CAN AFFORD ONE.”

067 page 067: West strides into the elevator, leaving Peter standing in the corridor. Balloons: “I REALLY RESENT YOU WASTING MY TIME LIKE THIS.” and “DON’T BOTHER SENDING ME ANY MORE OF YOUR FAXES.”

068 page 068: close-up of Peter, stung. Balloon: “SO THAT’S IT? I DON’T EVEN GET A CHANCE?”

069 page 069: West stands in the elevator, deadpan. Balloon: “YOU’RE NOT IN THE LOOP. IF YOU’RE NOT IN THE LOOP, WE CAN’T USE YOU.”

070 page 070: the elevator doors begin to close on West. Balloon: “GET YOURSELF A WELL ACCOUNT AND GET YOURSELF UP TO SPEED. THEN MAYBE I’LL TALK TO YOU.”; sound effect: “ding!”

071 page 071: the doors shut, leaving Peter’s faint reflection. Sound effects: “KER-THUMP” and “ding!”

072 page 072: Peter stands alone outside the closed elevator, résumé in hand, the expo crowd behind him. Signs read “Cybe[r]” on the banner and “EXIT” by the door

That night I did something I'd never done before in my life.

I got drunk.


073

I went to a seedy bar across the street from the convention center and drank my first beer... quickly followed by my second, my third and my fourth.

When I came back later that evening, Cyber Expo '93 had transformed into an enormous "rave" party.

808 and Guinness proved to be a bad mix; but then, I wasn't really in a partying mood to begin with.

page 073: Peter lies collapsed on the floor of a restroom stall beside a filthy toilet. Balloon: “OH GOD OH GOD OH GOD ……MAYBE INSTEAD OF GOING TO SCHOOL NEXT YEAR I CAN TAKE THE MONEY I SAVED FOR TUITION AND BUY MYSELF ONE OF THOSE MACINTOSH QUADRAS….. FUCK FUCK FUCK FUCK FUCK WHAT AM I DOING WITH MY LIFE? WHAT THE FUCK IS WRONG WITH ME? I’M 24 FUCKING YEARS OLD ALREADY AND I DON’T EVEN OWN A FUCKING COMPUTER!”

074

It was a crowded bathroom, as bathrooms usually are at these events... Stoned ravers stampeding in to empty their bladders of all the $7-a-bottle mountain-spring water and “smart-drinks” they've been guzzling on the dancefloor.

I knew I was taking more than my fair timeshare in this stall, so I wasn't too surprised when this random guy came barging in..... obviously needing the toilet for the same reasons I did...

(Readers of delicate sensibility may wish to abandon the narrative at this point...)

page 074: Peter hangs over the toilet bowl, tongue out, as a grinning stranger leans in behind him. Stranger: “HEY BUDDY, MIND IF I JOIN YOU? MAYBE WE CAN SICK EACH OTHER OUT AND GET OUR PUKING OVERWITH FASTER!”; Peter: “SURE MAN.”

075 page 075: Peter and the stranger sit slumped side by side on the restroom floor. Peter: “SO WHAT’S WRONG WITH YOU?”; stranger: “OH MAN….A BAD COMBINATION OF CHEMICALS AND RAW FISH!”

076 page 076: close-up of the sweating, lolling-tongued stranger. Balloon: “I TOOK A NEW DRUG TONIGHT… A 2CB ANALOGUE MIXED WITH PIRACETEM. I WOULDA BEEN OKAY WITH IT, BUT THE EDITOR OF NEWSWEEK TOOK ME OUT TO DINNER EARLIER TONIGHT AT THE MOST EXPENSIVE SUSHI BAR IN THE CITY! I GORGED MYSELF ON TOO MUCH UNAGI AND NOW I’M PAYIN’ THE PRICE! AHEEHEEHEEHEEHEE!”; then: “SO WHAT DRUGS ARE YOU ON?”

077 page 077: Peter, sweating and miserable, answers. Peter: “BEER.”; stranger: “BEER? YOU GOTTA BE KIDDING ME, MAN! PLAIN OLD FERMENTED GRAIN! BWAHAHAHAHA! THAT’S SO OLDSCHOOL!”; Peter: “YEAH WELL… TONIGHT’S THE FIRST NIGHT OF MY LIFE WHERE I DON’T WANT TO BE IN AN EXPANDED STATE OF AWARENESS.”; stranger: “OH YEAH? WHAT’S THE PROB, BOB?”

078 page 078: the stranger leers as Peter vomits. Balloon: “AREN’T YOU HAVING CYBERFUN? AREN’T YOU HAVING THE CYBERTIME OF YOUR CYBERLIFE? HUH?”; sound effect: “BLOOORSH!”

*You were warned.


079 page 079: Peter drools over the toilet bowl. Balloons: “GOD… WHAT WAS I THINKING BY COMING HERE?” and “I’LL TELL YOU WHAT I WAS DREAMING WOULD HAPPEN….”

080

I kept imagining I'd strike up a conversation
with some cool people and get myself
invited to a cyber-party.....

page 080: a grinning man in a hat and a woman lean in to invite Peter, a laptop open in front of them. Balloon: “HEY PETER…. WE WANT TO HEAR MORE ABOUT YOUR IDEA OF INJECTING NANO-BOTS INTO THE EARTH’S CRUST TO TRANSFORM PETROLEUM INTO NUTRIENT PROTEIN BEVERAGES! WHY DON’T YOU COME WITH US TO MARIN FOR A LITTLE SOIRE?”; the man’s T-shirt reads “BIONIC CATS”

081

Once there, I'd meet the woman of my dreams...
Some futuristic cyber-babe, who'd blow my mind and
leave my soul aching for new adventures....

page 081: at a hot-tub party, a topless woman with a drink talks down to a delighted Peter. Woman: “SO THIS KETAMINE TRIP LASTED ONE MILLION YEARS SUBJECTIVE TIME, DURING WHICH TIME I WAS A PIECE OF STONE. THEN AS I CAME DOWN, I BECAME A STONE ENGRAVED WITH A BAS-RELIEF CARVING OF A HUMAN LIFE…. MY LIFE.”; Peter: “TELL ME MORE!!!”

082

Later, we'd drop acid and have 12 hours of Tantric sex,
after which she'd tutor me in Video Toaster and give me a job
as creative director of her startup smart drink company...

page 082: two nude figures embrace, floating amid glowing arrows and starbursts. No text in the image

083 page 083: the stranger cackles over the bowl while Peter looks up. Balloons: “BWAHAHAHAHAH! SUCKER!” and “HEY, WAIT A SECOND…”

084 page 084: Peter, sweating, realizes who he’s talking to; stylized graffiti lettering (unreadable) fills the wall behind him. Balloons: “I RECOGNIZE YOU! YOU’RE H.M LUDENS… EDITOR-IN-CHIEF OF FUTURE SHOCK MAGAZINE!” and “HOLY SHIT, MAN! I’VE BEEN READING YOUR MAGAZINE SINCE 1986!”

085 page 085: a younger Peter reads a magazine while, in a thought bubble, Ludens types at a keyboard. Caption: “OF COURSE, BACK THEN IT WASN’T CALLED ‘FUTURE SHOCK.’ THE ORIGINAL NAME WAS ‘NEOPHILE’… AND THEN IN 1988 YOU CHANGED THE NAME TO ‘PHRINGE PHREAK.’”; the magazine cover reads “NEOphile”

086

I can't tell you how much that magazine of yours inspired me.
I suffered through every suck job in college just dreaming of
the day I'd finally get to jack into cyberspace.

page 086: Peter scrubs dishes at a sink, daydreaming of himself in a VR headset and glove. The headset is labeled “VR”

087

From the moment I read about the existence of the Cyberculture, I wanted to be a part of it.

The people you described in your magazine — all those hackers, freaks and revolutionaries — Each of them was exactly the kind of person I wanted to become. A sort of hypersexed, optimistic genius.... A cross between Buckminster Fuller and Ziggy Stardust.

They all seemed so wise and good-natured — The mirror-opposite of the greedy, narrow-minded Yuppies who personified the Eighties.

page 087: a glamorous crowd of gadget-toting expo-goers — one holds a remote, another a glowing orb. No text in the image

088

And now that I've met these people in real-life, what have I discovered?

This "cyberculture" is nothing more than an elite club of middle-class snots showing off their toys to each other.

I'd hoped the Nineties cyberculture was going to be the antidote to that mean-spirited materialism of the Eighties...

But it turns out they're even worse!!!

page 088: Peter is brushed off by a woman in the crowd. Balloons: “BY THE WAY, MY NAME’S PETER.”; “WHO ARE YOU ONLINE?”; “UH…. I DON’T HAVE AN E-MAIL ACCOUNT.”; “(PAUSE) OH. (PAUSE) EXCUSE ME, I’D LIKE TO GO TALK TO A REAL HUMAN BEING NOW.”; caption: “(END OF CONVERSATION)”

089 page 089: close-up of the sweating, wild-eyed Ludens. Balloons: “HEHEHEHEH… YEAH… PRETTY FUCKIN’ HILARIOUS, ISN’T IT?”; Peter: “NO.”; Ludens: “AW, C’MON… BUCK UP, ASSHOLE! YOU GOTTA LOOK AT ALL THIS FROM A POST-WARHOLIAN PERSPECTIVE. IT’S A BIG JOKE, DON’T YOU SEE? THERE IS NO ‘CYBERCULTURE.’”

090 page 090: Peter sits hunched against the restroom wall, listening. Peter: “WHADDYA MEAN THERE’S NO CYBERCULTURE? WHO ARE ALL THOSE PEOPLE OUT THERE?”; Ludens: “THEY’RE CHUMPS! ALL FLOCKING HERE WITH THEIR MONEY AND TOYS AND COSTUMES TO PLAY-ACT AT LIVING IN THE FUTURE! IT’S LIKE THE RENAISSANCE FAIRE. WHEN IT’S ALL OVER, THEY’LL GO BACK TO THEIR GRUBBY LITTLE APARTMENTS, STRIP OFF THEIR SILVER CLOTHES, AND GET READY TO RETURN TO THEIR SUCK JOBS MONDAY MORNING!”

091 page 091: Ludens sprawls against the wall laughing at Peter. Peter: “YEAH, BUT… WEREN’T THERE ANY REAL CYBER-CULTURE PEOPLE HERE? I MEAN, LIKE THOSE PEOPLE YOU USED TO FEATURE IN YOUR MAGAZINE…”; Ludens: “HAHAHAHAHA! THOSE PEOPLE NEVER EXISTED! WE MADE THEM UP! DON’T YOU GET IT? THERE NEVER WAS A CYBERCULTURE UNTIL WE INVENTED IT!!!”; Peter: “WHAT DO YOU MEAN, YOU ‘INVENTED’ IT?”

092 page 092: Ludens grins, sweat pouring, mid-lecture. Balloon: “LISTEN UP… WE LIVE IN A POST-PUNK WORLD, MY FRIEND. THE DAY IS OVER WHEN COUNTERCULTURES WILL SPONTANEOUSLY ERUPT FROM THE GRASS ROOTS. EVEN THE HIPPEST AMONG US, EVEN THE MOST ARDENT RADICALS, ARE CONTROLLED BY THE MEDIA MORE PROFOUNDLY THAN OUR PRIDE WILL ALLOW US TO ADMIT. IF YOU WANT TO SEE A POSITIVE COUNTERCULTURE EMERGE, YOU CAN’T JUST SIT ON YOUR ASS AND WAIT FOR IT TO HAPPEN ON ITS OWN. YOU’VE GOT TO MANIPULATE THE MEDIA AND CREATE YOUR OWN COUNTERCULTURE! SO MY FRIENDS AND I ASKED OURSELVES: ‘HOW CAN WE BEST ACCOMPLISH THIS?’”

093 page 093: Ludens keeps talking, face slick with sweat. Balloons: “SIMPLE… WE’D PUBLISH A MAGAZINE THAT ‘COVERED’ THIS NONEXISTENT SUBCULTURE. WE’D INVENT CONTENT… YOU KNOW… FAKE INTERVIEWS WITH FAKE SCIENTISTS… PHOTOGRAPHS OF EVENTS THAT WE COMPLETELY STAGED… GOSSIP ABOUT THE FICTITIOUS HACKER-CELEBRITIES OF THE ‘CYBER’ SET.”; “WE’D USE THE TACTICS OF MAINSTREAM MAGAZINES TO POSITION THIS ‘CYBERCULTURE’ AS THE HIPPEST, SEXIEST, MOST ‘CUTTING EDGE’ SOCIAL MOVEMENT ON THE PLANET.”; “AND WE PULLED IT OFF! NO SOONER HAD THE MAGAZINES HIT THE RACKS THAN MONEYED, MIDDLE-CLASS BOHEMIANS CAME OUT OF THE WOODWORK WANTING TO BE A ‘PART’ OF THIS ‘MOVEMENT!’”

094 page 094: Ludens’ disembodied head, grinning. Balloon: “WE CREATED IT IN OUR IMAGINATIONS. THEY CAME AND MADE IT A REALITY. HAHAHAHAHAHAHAHA!”

095 page 095: Peter stares as Ludens gloats. Peter: “ARE YOU SERIOUS?”; Ludens: “HELL YES! YOU KNOW HOW AMERICANS ARE TRAINED TO THINK IN TERMS OF ‘MOVEMENTS’ AND ‘ZEITGEISTS’! WE’VE CREATED THE ‘HIPPIES FOR THE 90’S’ AND NOW ENTREPRENEURS ARE MOVING IN TO SELL TO THIS NEW MARKET! A SOCIAL JUGGERNAUT IS SET IN MOTION!!! IT’S FOR REAL, NOW!”; Peter: “BUT… WAIT…”

096 page 096: Peter’s floating head beside an inset of a chrome-skinned cyborg working a glowing console. Balloon: “YOU MEAN, NONE OF THOSE PEOPLE YOU WROTE ABOUT EXISTED???!!!”

097 page 097: Ludens’ floating head answers. Balloon: “THEY WERE ARCHETYPES OF THE KINDS OF PEOPLE MY FRIENDS AND I WANTED TO BECOME… I HONESTLY DON’T KNOW ANYBODY WHO EVER ACHIEVED THAT GROOVY POST-HUMAN LIFESTYLE. BUT IF ANYBODY CAN DO IT, IT’S THESE ‘MIDDLE CLASS SNOTS’ AS YOU CALL THEM.. THE ONES WITH THE DISPOSABLE INCOMES!”

098 page 098: Peter jabs a finger, shouting. Balloon: “OH YEAH.. .THAT’S ALL CUTE AND SITUATIONIST OF YOU… BUT DID IT EVER OCCUR TO YOU THAT YOU MIGHT ALSO BE FUCKING WITH PEOPLES’ LIVES?”

099 page 099: Ludens’ face fills the panel, eyes huge. Balloons: “SO WHAT? THIS ISN’T JUST SOMETHING WE’RE DOING ON A LARK, BUDDY! THIS IS INFORMATION WARFARE!! WE’RE FIGHTING TO ENSURE THAT OUR VALUES TRIUMPH OVER THE THE AIRLESS CORPORATE MONOCULTURE THREATENING TO SUFFOCATE THE ENTIRE PLANET!” and “MEDIA POWER IS THE ONLY KIND OF POWER THAT MATTERS IN TODAY’S WORLD, AND MY FRIENDS AND I ARE GRABBING IT BY ANY MEANS NECESSARY!”

100 page 100: Ludens jabs a thumb at himself while Peter, seen from behind, wilts. Ludens: “ASK YOURSELF — WHO DO YOU WANT SETTING THE CULTURAL AGENDA FOR AMERICA IN THE 21ST CENTURY? HM? RUSH LIMBAUGH? THE ‘POLITICAL CORRECTNESS’ MOB? SOME CORPORATE-PUPPET ‘MODERATE’ STEALTH-FASCIST LIKE BILL CLINTON? HM? OR DO YOU WANT THE KIDS OF AMERICA TO BE TURNING THEMSELVES INTO NIETZSCHEAN SUPERMUTANTS? HMMM? WHAT’S IT GONNA BE, BUDDY?”; Peter: “SHIT… I DON’T KNOW ANYTHING ANYMORE…”

101 page 101: Ludens beams, sweating. Peter: “IS THAT SO?”; Ludens: “WELL YOU CAN BE SURE OF ONE THING: BY THIS TIME NEXT YEAR, NINTENDO, APPLE AND SONY WILL BE COMPETING TOOTH AND NAIL TO GET CYBERSPACE DECKS INTO EVERY HOME IN AMERICA! VIRTUAL REALITY IS GONNA REPLACE TELEVISION AS THE DOMINANT MEDIUM OF THE FIRST WORLD. GUYS LIKE JARON LANIER ARE GONNA BE BILLIONAIRES. AND AS FOR ME AND MY FRIENDS AT FUTURE SHOCK… WE’LL HAVE GOTTEN IN ON THE GROUND FLOOR OF THIS NEW MEDIUM. WE’LL BE SETTING THE TERMS FOR THE NEW ‘CYBERCULTURE’ THAT WILL FOLLOW IN THE WAKE OF VIRTUAL REALITY. YOU GET IT?”

102 page 102: extreme close-up of Ludens’ grinning face. Balloon: “BY THE YEAR 1999, FUTURE SHOCK WILL BE A MEDIA EMPIRE BIGGER THAN TIME-WARNER OR VIACOM!”

103 page 103: Ludens howls with laughter — the wall behind him is filled with “HAHAHAHAHAHA” — while Peter edges in. Peter: “YOU KNOW, MR. LUDENS, I WAS WONDERING IF, YOU KNOW, NOW THAT WE’VE HAD THIS MOMENT TOGETHER, YOU KNOW, NOW THAT WE’VE UH, SORT OF BONDED IN OUR MUTUAL CHUCKUPITUDE, MAYBE UH…”

104 page 104: Peter smiles hopefully. Balloon: “YOU MIGHT CONSIDER GIVING ME A JOB AT YOUR MAGAZINE……”

105 page 105: Ludens laughs in his face. Balloons: “HAHAHAH! YOU’VE GOT SOME REAL CHUTZPAH, GUY! ASKING ME FOR A JOB AT MY MAGAZINE LIKE THIS! HAHAHAHAHA!” and “YOU KNOW, WE LIVE IN A CRAZY UNIVERSE OF NON-STOP CHAOS AND INTERSWIRLING SYNCHRONICITIES… SOMETIMES A SEEMINGLY CHANCE MEETING CAN BE THE PIVOTAL POINT THAT CHANGES YOUR LIFE FOREVER!”

106 page 106: Ludens spreads his arms in the restroom while Peter kneels at the toilet behind him. Peter: “SO, UM… ARE YOU SAYING WHAT I THINK YOU’RE SAYING?”; Ludens: “OH YEAH, I THINK YOU KNOW WHAT I’M SAYING…”

107 page 107: Ludens grins and pushes open the restroom door on his way out. Balloon: “NOT A CHANCE, ASSHOLE!”

108

Chapter 3:

A Space-Age Typing Experience

As it turned out, I didn't buy the damned computer... I went ahead and finished my final year of school.

I still remember that glow of pride I felt, that weekend in May 1994, when they handed me my diploma... I'd set my mind on a goal, worked at it, and completed it.

For the first time in my life, I had accomplished something.

page 108: Peter in cap and gown, smiling at a diploma in his hands. No text in the image

109

That warm glow of pride lasted about two weeks.

page 109: Peter in a T-shirt holds the same sheet of paper, deadpan. Balloon: “CAN I WIPE MY ASS WITH THIS IF THE HOUSEMATES START HORDING THEIR TOILET PAPER?”

110

Getting back to that day when I jumped out the window.... When I crept back home that afternoon I was thrilled to discover — hallelujah! — my belongings hadn't been thrown out by the dumpster!

However, there were people home.

page 110: Peter peers around a fence at a lit-up suburban house with a car under a carport; a garbage can is stenciled “23.” No dialogue in the image

111

I wandered the suburbs and circled back several times that evening. Finally, around midnight, all the lights were off. Deciding it was safe, I snuck back in and slept...

....For a few hours, at least. Then I had to get up at 4:00 am to go work at the bakery.

page 111: Peter stands outside the house at night under a crescent moon and stars. No text in the image

112

I didn't mind the job so much. It was gruelling work, physically demanding, not a second's rest for the whole 8 hours... but it had its positive aspects.

I could eat all the free muffins and coffee I wanted. Needless to say, muffins and coffee were the staple of my diet that summer .

More importantly, I was too busy to think about what a disaster my life had become.

page 112: Peter works the night shift in a bakery, piping dough onto trays while a raccoon watches through the window. No text in the image — a wall clock reads about 2:40

113

The agonizing introspection came every afternoon at 1 p.m., when I got off work.

I'd walk home, and even under the blazing summer sun, I shivered with sick dread, my stomach tied in knots by coffee and fear.... the fear that I should get home and today would be the day when I would have to fish my belongings out of the dumpster and go join the homeless camp on the edge of town.

page 113: Peter walks with his backpack past construction fencing. No text in the image

114

If nobody was home, I'd sneak up to my room, lock the door, and pretend not to be home. This meant I couldn't turn on the lights at night, but since it was summer the sunlight usually lasted past 8 p.m..

Besides, since I had to get up at 4 a.m. to go to work, it was best if I went to sleep by 8 o'clock anyway.

page 114: Peter lies on a bare mattress in an empty room, staring at the ceiling; a spider crawls on the wall. Thought balloon: “IF I JERK OFF ONE MORE TIME, WILL THE PROTEIN LOSS KILL ME?”; a “SALTINES” cracker box lies on the floor

115

Those days were rare, however.

Usually when I came home straight from work, there would be people there, and so I'd have to sneak quietly away. I'd set off on a random direction and wander the suburbs for a few hours, eventually circling back home to check again. Some days I would do this three, four, even five times, not sneaking back in until after midnight when my housemates were asleep.

There was nowhere else for me to spend time. I had no books to read (I'd sold them already) and I couldn't spare the 10 lousy bucks to join the city library. I had no money to take the bus anywhere, and I didn't even have the spare change to buy a cup of coffee and sit in a coffeehouse all day long.

page 115: Peter in sunglasses walks a suburban street, storm clouds gathering overhead. No text in the image

116

I couldn't remember a time in my life when I'd been more disgusted with myself.
I wondered what my 10-year-old self would have thought if he could see the 26-year-old fuckup he was destined to become.

page 116: young Peter, in a “KISS” T-shirt, looks up at his grown-up self. Boy: “BUT….WHERE’S YOUR SILVER JACKET? WHERE’S YOUR PLUSH VAN? DON’T YOU HAVE A GIRLFRIEND?”; adult Peter: “KID, EITHER GIVE ME A DOLLAR NOW, OR GET THE FUCK OUT OF MY FACE!”

117

Now I know what you're thinking: Why didn't this dumb-ass use his free time to look for a higher-paying job?

The short answer: there were none.

Santa Luna's economy is propped up by students and tourists. As a freshly-graduated B.A. with zero professional experience, you essentially had two job options in this town: Sell t-shirts at the wharf, or scoop muffins.

And since you can't eat t-shirts when the boss isn't looking, that made my choice pretty easy.

page 117: Peter sweats under a blank sky between streetlights. No text in the image

118

To my credit, I did sign up last year with a temp agency over in Silicon Valley. I was more than willing to make the 50-mile bus commute every day if they could place me in a decent-paying data entry or mail-sorting job.

I did pretty good on the typing and math tests, but even so.....

page 118: a temp-agency recruiter in a suit sits across a desk from Peter, holding his résumé. Balloons: “I’LL BE BRUTALLY HONEST WITH YOU, PETER…”, “THERE JUST AREN’T THAT MANY ENTRY-LEVEL POSITIONS IN THE VALLEY RIGHT NOW.”, “AND THERE ARE A LOT OF PEOPLE WITH A LOT MORE EXPERIENCE THAN YOU, WAITING AHEAD OF YOU IN LINE.”

119

So, really — I had nothing else to do but wander.

Still, these aimless hours in the suburban desert did afford me the time to look at my life and figure out where and how I had fucked up so badly....

What had I done to bring my life to this low point?

page 119: Peter walks a sunlit sidewalk past trees and houses. No text in the image

120

I thought back to 1978... If I had been so obsessed with the future, why hadn't I planned it better?

Why hadn't I started saving money?

Why hadn't I planned my finances and my college career?

Answer: Because I didn't think there was any need to.

page 120: young Peter reaches for a magazine on a crowded newsstand rack. The covers read “OMNI — FIRST ISSUE,” “STARLOG,” “MAD,” “CRACKED,” “Dynamite,” “BIONIC BATTLE,” “VAN,” “Vette,” “DIRT BIKE,” “MOTO-X MAYHEM,” and “Kit Kars”

121

Somewhere the seed of fatalism had been planted in my young mind.

The Future wasn't something I would have to plan or build or work for. I believed the Future was going to be created for me by benevolent corporations...

All I had to do was stay alive long enough to inhabit it.

page 121: young Peter stands in a littered room facing a big television; the screen displays the word “future.” Cereal boxes and toys are scattered on the floor

122

At the appointed time, Our Benevolent Corporate Patriarchs would "lift the curtains" and invite us all into the wondrous Future they'd made ready for us.

We'd all be welcome; the Future, by its very nature, was cheerful and inclusive.

In the meantime, while they were getting it all ready, the corporations would allow us to experience the Future in short, controlled bursts, such as the World's Fair Expo, or Disney World's Tommorowland.

page 122: Peter and a child stand before gleaming futuristic pavilions labeled “RCA” and “GE.” Balloon: “THIS IS SO TRICK!”; footnote: “* 70’s SLANG WORD MEANING ‘COOL,’ ‘NIFTY’ OR ‘NEAT-O’”

123

It simply never occurred to me that I would be denied anything I wanted or needed....

page 123: Peter pleads before a panel of seated elders under a banner reading “WORLD SCIENCE COUNCIL”; their nameplates read “bucky,” “arthur,” and “isaac.” Peter: “THERE’S BEEN A MISTAKE, SIRS. THE FUTURE ARRIVED AND I DIDN’T GET MY COMPUTER.”; “HOW ON EARTH DID THAT HAPPEN?”; “CONCIERGE! GET THIS CITIZEN HIS MACINTOSH IMMEDIATELY!!!”; a robot answers: “*beedeebeedee beedeebee* OKAY, BOSS!”

124

It was all hilarious in retrospect, and I cherished that gratifying sense of liberation I felt uprooting these delusions from my mind...

This didn't change the essential fact that the month of August was swiftly approaching, and I still hadn't yet payed July's rent.

I was doomed, but I just couldn't care anymore. I had done my best, and my best had proven, ultimately, not to be good enough. So mote it be. Low blood sugar makes fatalists of us all.

page 124: Peter walks past a skate park in sunglasses and a “SONIC YOUTH” T-shirt. No dialogue in the image

125

Nevertheless, by some miracle I kept my housemates pacified for the duration of July. They didn't like me very much, and they called me every hateful name in the book, but to their credit they never threatened to evict me outright.

I only had to jump out of my bedroom window two more times that month.

Meanwhile August continued its damnable approach....

page 125: Peter again looks down on the homeless encampment from the rise. No text in the image

126

Sunday, August 1, 1994. The day everything changed.

I was perversely happy that afternoon. I'd just finished my shift at work, the sun was shining hot upon the Earth, I had the next two days off, and, most importantly, today was payday. I'd cashed my paycheck out of the bakery register and was on my way to the grocery store, visions of scrumptious foodstuffs dancing in my head.

I was dimly aware that I didn't have August's rent, but that unpleasant fact was too far up my Hierarchy of Needs to trouble me much just then. All that mattered was I'd be eating a hot meal tonight..... and when you're starving even the promise of food puts a bounce in your step.

page 126: Peter strides along grinning, with a cookie, a cracker and a noodle cup floating around his head; the cup is lettered “RAM…” (ramen)

127

I found myself strolling past a yardsale. where something caught my eye....

A typewriter....

A manual typewriter...

And not just any manual typewriter, but a 1962 Hermes 3000.

The same model which William Gibson wrote Neuromancer on.

page 127: Peter stops at a yard sale spread over a lawn — cutlery, a lava lamp, a Rubik’s cube, records and an old typewriter. A carton is marked “Books 50¢” and a flying disc reads “Nerf”

128

On closer inspection, the Hermes turned out to be preposterously ugly. It appeared to have been stolen off the set of the movie Brazil, or out of some Soviet records office. A more un-futuristic looking machine would be hard to imagine.

I had to own it.

Had to. Had to.

page 128: a portable manual typewriter in close-up. Its nameplate reads “Hermes 3000”

129

The old man running the yard sale was only too eager to get rid of the Hermes. In fact, he seemed genuinely angry with himself that he had ever been stupid enough to own such a useless machine.

page 129: a bored middle-aged man in a polo shirt, running the sale. Caption: “(WILL GO TO HIS GRAVE NEITHER KNOWING, NOR CARING, WHO WILLIAM GIBSON IS.)”; balloon: “TEN DOLLARS.”

130

I paid the ten dollars and hauled the typewriter home. Along the way I seemed to be observing myself through an extraterrestrial telescope, wondering at how this silly creature had just fucked himself out of a week's groceries. You can dodge your housemates, some aloof voice of reason burbled pedantically, but you can't dodge your own stomach.

Yeah.... Whatever.

Something more important than mere eating was going on here. Something life-shattering. Something huge.

page 130: Peter lugs the heavy typewriter home under a blazing sun, sweating. No text in the image

131

I made the usual stealth-approach to my house — cased it, determined there was nobody home, and crept inside....

Only to discover, Scotch-taped to my bedroom door, a plain-white envelope with my name written on it. (I didn't bother opening it. No point, really.)

There was an old desk in the garage which I dragged singlehandedly up the stairs into my room...

page 131: Peter hauls a battered steel desk up a staircase. Stencilled on its side: “PROPERTY UNIVERSITY OF CALIFORNIA”

132

Crazy angels were singing in my head, welcoming me home.

In the August heat, I shivered...

page 132: Peter, dripping sweat, sets the typewriter down on the desk. Thought balloon: “PAPER?”; graffiti carved into the desk reads “FUCK NIXON” and “DISCO SUCKS”

133

Just like that monkey in 2001: A Space Odyssey, the moment he picks up the zebra thighbone and senses some next-level shit is about to come down, so too I realized I was on the verge of a crucial life-change event.

page 133: two hands hold up his diploma — “UNIVERSITY OF CALIFORNIA, Bachelor of Arts, PETER O’FLAHERTY” with a seal and signature

134

I cranked my diploma into the Hermes, blank side forward, and typed the following sentence....

page 134: Peter feeds the diploma into the typewriter, smiling. The machine is lettered “HERMES” and “MADE IN SWITZERLAND”

135

I don't need a computer.

page 135: extreme close-up of the typebars striking the paper in the carriage. No text in the image

This ugly little machine, this unholy steel trilobyte of Victorian levers and gears, worked just as well now as it had 32 years ago, the day it was made!

Such simplicity! Such integrity!


136 page 136: the Hermes typewriter again in close-up, nameplate reading “Hermes 3000”

The more I studied it, the more I realized that the ugliness of the Hermes 3000 was in fact a subtle beauty....

It wasn't built to look “Futuristic.’ It was built to squat firmly on a desk and pound out strings of legible text.

It didn't sport chrome tail fins. It was not streamlined, nor was it poised for takeoff. It was in no way trying to mimic UNIVAC.


137

There were obviously no marketing experts at Hermes Corporation that year, hawking their special brand of bullshit to the engineers...

page 137: a 1950s-style marketing presentation — a woman in a suit gestures at design boards before seated executives. Balloon: “WE’RE NOT JUST SELLING THE CUSTOMERS A ‘TYPEWRITER.’ WE’RE SELLING THEM A SPACE-AGE TYPING EXPERIENCE!”; one board is labeled “UNIVAC”

138 page 138: the Hermes 3000 typewriter once more, seen head-on with its nameplate legible

It was, simply, a machine for typing... and yet it was more than that...

The medium was also a message...

This typewriter was a signal from a vanished age, its very simplicity and integrity telling me volumes about the people who built it and the lifestyle they led.....


139 page 139: overhead view of Peter lying spread-eagled on the floor of his room beside the desk and typewriter. No text in the image

Finally the heat, hunger, delirium, and exhaustion got the better of me. I passed out...

While sprawled on the floor, I had a vision....


140 page 140: a photomontage of mushroom clouds, jazz musicians and mid-century faces, with the years 1950–1961 listed down the right edge. Overlaid text: “1962 — the last age of integrity,” “this is the age we live in… explo[ding],” “THERE IS NO FUTURE THERE IS ONLY THE NOW…,” “words falling image exploding,” “There is only now.,” “cut all lines,” “exploded”; a block of typed text reads “I am… everything… not… being… takes place as if I [were] compelled to be responsible… abandoned in the world… in the sense that I find myself suddenly alone and without help, engaged in a world for which I bear the whole responsibility without being able, whatever I do, to tear myself away from this responsibility for an instant.”

A vision of the life I would lead....
Of the guy I would become....


141

It all became perfectly clear to me what I must do.

Instead of waiting for a future from which I would forever be excluded, I would instead go backwards.

I would inhabit the past.

page 141: four panels of Peter remaking himself — clippers in hand, shaving his head, buttoning a work shirt, and a pair of horn-rimmed glasses. Sound effects: “KLIK,” “BRZZZZZZZ,” “VRIP VRIP”

142 page 142: portrait of the made-over Peter — cropped hair, heavy horn-rimmed glasses, checked work shirt. No text in the image

I would pretend, to the best of my abilities,
that I was living in the year 1962.
Fuck the future.


143 page 143: Peter burns his magazine collection in an oil drum. The covers read “FAST FORWARD,” “VIRTUAL REALITY IS HERE!,” “WIRED,” “CYBER,” “MONDO,” “HACKERS,” “DIGITAL FRONTIER,” and “FUTURE SHOCK — CYBERSPACE SECEDES FROM REALITY”

First thing I'd do is get rid of all those "cyberculture" magazines I'd collected.

These filthy rags were no longer welcome in my reality.

The only wholesome use to which they could be put to was to help hobos roast their hot dogs.


144

I would reject all aspects of "The Future." Especially the clothing.

I'd effect the costume of a mid-20th Century working-class intellectual.

From now on I'd buy all my clothes either at Goodwill or the hardware store.

page 144: a labelled diagram of Peter’s new outfit. Labels: “horn rimmed glasses,” “Ben Davis work shirt,” “Dickies double-knee chinos,” “Red Wing steel-toe shoes”

145

What a relief it would be, to drop out of the fashion game altogether!

page 145: two sunglassed hipsters walk past Peter and sneer. Balloons: “GAWD, DID YOU SEE THAT DORK BACK THERE WEARING A VINTAGE WORKSHIRT?”; “UGH… HOW 1992!”; Peter’s thought balloon: “EAT ME!”

146 page 146: Peter flips through bins in a jazz record store, holding an LP. Sleeve and wall text: “PHILLY JOE & ELVIN — TOGETHER!,” “ART BLAKEY,” “kenny drew trio,” “lee-way,” “GO — DEXTER GORDON,” “OUT TO LUNCH,” “STICK-UP!,” “STAFF PICKS,” “STEREO,” “SOMETHIN’ ELSE — JULIAN ‘CANNONBALL’ ADDERLEY — Blue Note 1595,” and bin dividers marked “AVANT GARDE / EXPERIMENTAL,” “FUS[ION],” “[HAR]D BOP”

I would live in an exclusively pre-1962 musical environment.

There was an entire vanished culture — rich, passionate, complex — preserved on vinyl and available for dirt cheap in the used record stores.

I would no longer need to stay on top of the "new" music. I'd listen exclusively to classic jazz and those weird old spoken-word poetry albums.

I would pretend that Kraftwerk and Led Zeppelin had never existed.


147 page 147: Peter lowers the needle on a portable record player, sheet music filling the background. The album sleeve reads “Classics in jazz — Leadbelly — Capitol”; the sheet music carries the lyric “…on my dreams… Last Saturday night I got married. Now me and my wife are parted, I’m gonna take a little… …goodnight, I[rene]…”

Fuck compact discs, DATS, and every other shiny, expensive new media-toy that the corporations were shoving down our throats every 10 years.

I wouldn't be held hostage to format.

I'd get myself an old phonograph at the thriftstore. The scratchier the better.


148 page 148: Peter hangs abstract-expressionist paintings in his sparsely furnished room, record player and typewriter nearby. No text in the image

I would from now on ignore all computer-generated "art" — all that candy-colored, extruded, chrome-plated psychedelic folderol that had dazzled me in my childhood ignorance.

Instead, I would decorate my room with classic works of Abstract Expressionism.


149

After years of chasing the Future, I'd find my equilibrium in the present. From here, I'd rediscover the simple, sturdy pleasures of life...

page 149: a grid of small pleasures with hand-lettered labels — “coffee in the mornings,” “comfortable shoes,” “8 hours of sleep a night,” “working class cameraderie,” “Beer on Fridays.” The beer glass is branded “GUINNESS DRAUGHT”

150 page 150: Peter reads at a café table over a cup of coffee. His book is “jean paul sartre — being and nothingness”; the menu board reads “Caffe Purgatorio — Coffee $1.00, Espresso $1.75, Cappuccino, Cafe Latte, Coffee mit Schlag, Cafe Mocha, Espresso Mocha, Chai”

After work I would spend my nights reading at the coffeeshop. I'd get a city library card and devour the classics of the mid-Century — Jack Kerouac, Henry Miller, J.P. Sartre, Ishmael Reed....

No more science fiction for me. No Alvin Toffler, no Marshall McLuhan, no more of that "future" crap.

1962 would be my fixed point in time, and I intended to stay there.


151

Social life? Fuck it. I wouldn't even try to find a girlfriend anymore.

If I ended up getting together with a woman, it would be because she was magnetically drawn to my feverish beatnik intensity.

(It could happen.)

page 151: a woman with a coffee cup stops at Peter’s café table. Balloons: “OOOH, YOU’RE READING HENRY MILLER!” and “MIND IF I JOIN YOU?”

152 page 152: Peter types at night in a tank top, lit by the desk lamp. Caption: “I wanted no part of their so-called ‘revolution,’ because [I kne]w how it would end.. everybody bowing their heads and gazing into the ghost-blue glow of tiny screens which [get] tinier with [each passing] year…”; sound effects: “TAPPA TAPPA TA-TAP TAP TAP TAPPA TAP TA-TAP TAP” and “KA-JING”; the typewriter is lettered “HERMES”

But primarily, I would write.

The Hermes 3000 would be the keystone of my new, de-complexified life.

I would write down my experiences and thoughts, in the same way that Henry Miller, George Orwell, and Jack Kerouac set down their words. No pretensions, no flair, just describing my simple life as I lived it.

If I never became a "hot young writer," so be it. My dedication to the craft of writing would be fulfillment enough.


153 page 153: the same portrait of Peter with cropped hair, horn-rimmed glasses and checked work shirt. No text in the image

This was my vision. This was the guy I would become.
And the best part was, this new life would cost next to nothing.
I could start living it immediately.


154 page 154: an older Peter lies awake in bed. Sound effect: “KNOCK KNOCK KNOCK”; balloon: “HEY PETER! YOU IN THERE?”; Peter: “RRNGH…”

Or at least as soon as my fucking housemates vacated the building.


155

It was Monday morning, August 2nd.

I'd slept for nearly 15 hours, and my housemates were apparently trying a new ruse to lure me out of my bedroom.

page 155: Peter rubs his forehead, the typewriter behind him. Balloons from off-panel: “PETER!” and “YOU’VE GOT A PHONE CALL.”; Peter’s thought: “IT’S A TRICK.”

156 page 156: the same shot, Peter wincing. Balloon: “IT’S THE TEMP AGENCY.”

157

No joke.

That very same Temp Agency, whom I'd signed up with over a year ago and never heard from, was now calling me out of the blue with a job offer: a one-week data entry gig at Apple Computer.

Ten dollars an hour.

Twice my hourly wage at the bakery.

page 157: Peter takes the call on a corded phone while housemates glower in the hallway. Caller: “SO WHAT DO YOU SAY, PETER? CAN YOU DO IT?”; Peter: “WELLL….”; Peter: “I WAS SORT OF PLANNING TO BECOME A BEATNIK TODAY.”

158 page 158: the housemates crowd closer behind him. Balloon: “*AHEM*”; Peter: “BUT I SUPPOSE THAT CAN WAIT ANOTHER WEEK.”

159 page 159: Peter rides the bus, hemmed in by chattering commuters. Balloons: “ALL THE COMPANIES IN THE VALLEY ARE HIRING LIKE CRAZY RIGHT NOW!”; “LOOKS LIKE THE RECESSION’S FINALLY OVER, HUH?”; “HA! DON’T COUNT ON IT. BILL CLINTON IS STILL A SOCIALIST!”; “HE’S GONNA WRECK THE ECONOMY… JUST YOU WAIT!”; Peter’s thought: “THERE WAS A RECESSION?”

Thirty minutes later I was on a commuter bus to Cupertino.

I'd called some co-workers at the bakery to cover my shifts for the rest of the week.

With the paycheck I'd earn from one week at Apple, I could settle up with my housemates, and still have enough money left over to buy a phonograph, work shirts, horn-rimmed glasses, and all the other equipment necessary to begin my new beatnik lifestyle.


160

It would be only 5 days, right?

At the end of the week, I'd say goodbye to Apple... Goodbye to computers... Goodbye to all my technocratic delusions of “The Future”....

I would set aside those childish things, and begin my new life as an ordinary working man.

page 160: Peter’s reflection in the bus window overlaps a passing office building bearing the Apple logo. No text in the image

161

Or... so I thought.

page 161: Peter sits at an office computer showing the NCSA Mosaic home page. Thought: “‘NCSA MOSAIC?’”; “I WONDER WHAT THAT DOES…”; the screen reads “MOSAIC”; sound effect: “CLICK”

And the rest, as they say, is history....


162

January, 1998.

page 162: Peter in a dark coat looks out over the San Francisco skyline with the Transamerica Pyramid behind him. No text in the image

I'm now an HTML coder at a startup in San Francisco. The “World Wide Web” has enabled me to crawl out of my debt-hole and bootstrap myself into the lower middle class. For the first time in my adult life, I can afford to eat in restaurants where I don't work.


163 page 163: a passer-by drops a coin to a homeless man sitting outside a computer store. Signs read “[Thi]nk different.” beside the Apple logo, “Power Macintosh G3 — ONLY $2500,” and “CYBERCITY”; the man’s cardboard sign reads “anything helps”

Was it really only 3 and a half years ago that I was jumping out of a second-story window to dodge paying my rent?

It seems like centuries ago, or something that happened in somebody else's lifetime.


164 page 164: Peter sips coffee outdoors among bare winter trees. No text in the image

All told, I'm happy. I have a roof over my head, food in my belly, and a solid community of friends whom I met online... None of whom, incidentally, ever read magazines like Future Shock or Fast Forward.

Still... Sometimes I wonder about that guy I almost was.


165 page 165: young Peter reads an issue of OMNI in his room, Star Wars and Battlestar Galactica posters on the wall. Balloons: “HEY TOMMY, HERE’S A BRAIN TWISTER FOR YOU….”; “IF A SPRING IS BOUND AND DROPPED INTO A VAT OF ACID WHICH DISSOLVES IT INSTANTLY…”; “WHERE DOES THE SPRING’S POTENTIAL ENERGY GO?”; the magazine cover reads “OMNI”

166 page 166: Peter stands in the cold with his coffee, breath steaming. No text in the image

Whatever happened to that other Peter O'Flaherty? Does he exist, in some parallel universe?

I sometimes wonder... What if I were to run into him on my way to work one morning?


167 page 167: Peter in a fur-collared parka, ushanka hat and red shirt, smoking a pipe in the fog. No text in the image

Would he be happy?

Would his life be as fulfilling as I had hoped?

Would he envy me?


168 page 168: the parka-wearing Peter and the coffee-carrying Peter stand facing opposite ways on a city street. No text in the image

Or would I envy him?


169

The Hermes 3000 is still sitting in a storage container under my bed.

page 169: the Hermes typewriter head-on, keys and carriage in view, its nameplate lettered “HERMES”

To this day, I haven't typed a single page on it.

------------------------------------------------------------

The End.

San Francisco
January 1998